Ebook Download Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach
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Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach
Ebook Download Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach
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- Published on: 1656
- Binding: Paperback
Most helpful customer reviews
14 of 14 people found the following review helpful.
Not recommended
By Bray Baroque
The methods and conclusions of Prof. Frederick Neumann's works (publ. in the decades 1970-1990) were rebutted by specialists in Early Music and other publications. This widely-read book makes fascinating and thought-provoking remarks. However, as detailed in a recent publication, the main thesis of Prof. Neumann on Ornamentation (that there were frequent pre-beat trills and mordents in Baroque music) is thoroughly unfounded. And is not a personal opinion: for many years this conclusion has being agreed upon by all the present-day scholarly sources on Baroque ornamentation I have been able to find.
36 of 38 people found the following review helpful.
A detailed discussion of Baroque sources of ornamentation
By McIrvine@IX.Netcom.Com
Books concerning performance practice are by their very nature controversial, and we can't ask Bach, Handel, or Telemann what they actually meant when they used a short-hand symbol or expected a performer to improvise a decoration. Or can we? Professor Neumann has compiled a volume based on writings in the Baroque era that attempts (successfully in my opinion) to provide some clues to the sketchy musical notations of busy and prolific composers in the Baroque era. His ideas are indeed controversial, but I think that they are well-reasoned and often brilliant. His knowledge of sources in the Baroque is magnificent, and his arguments are keenly-reasoned. This is a book of somewhat limited readership. Performers and scholars who play or edit Baroque music will find this to be a useful reference with a strong idex, a good bibliography, and a helpful guide to solving questions of decoration. Those who don't have an active involvement with Baroque music will find the book cryptic.
1 of 1 people found the following review helpful.
reference book looks excellent
By RE
When in graduate school, I had to do research on the performance practices of Baroque music. In the school library, they had this book in their reference book collection. It is probably the best and well researched book of its type. I was using this book so much I found myself in the library for many hours at a time. Traveling to and from home and walking to and from the parking lot to the library, I was spending quite a bit of time doing research. To conserve my time, I decided to go online and purchase my own copy of this book. I read the reviews of the seller and shows to buy this book from this seller from all of that were available. I was quite surprised when I received a call from the seller before he shipped the book. He wanted to make sure I had read the price correctly and we discussed quality of the book since it was used. Having dealt with book dealers over the years, I felt very comfortable in receiving the book I had ordered from this seller. He was very thorough and honest about the high quality of the book I was getting. When I received the book, I could tell that the book was used and that the book had been well cared for in the previous owners' library. I was elated when I received this book. It looks almost new to me. The seller has also ship this book with a signature confirmation of delivery. This was much appreciated too. Having my own copy of this book has saved me many lost hours in trips to use the copy in the school's library. The book now happily resides in my reference library here at home and is my personal reference volume that I refer to when I am preparing a piece of broke music for performance. Any time I am in need of a used book, I will look for this seller online. I have complete confidence in this seller and I am very happy that we were connected through Amazon.
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