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Written at the dawn of the seventies by a former crime reporter and self-confessed "mafia expert", this book was not only the first serious study of Dylan's life and work, but also a landmark in the way popular music was written about.
In addition to a Bob biographer's wish-list of interviews, Scaduto pulled off the remarkable coup of getting Dylan's full co-operation without conceding an editorial veto. Dylan has read this book cover to cover and discusses its uncomfortable contents with the author at length!
Though a veritable publishing industry has followed in Scaduto's wake, arguably no-one since has come as close to revealing the true nature of the man behind the shades.
"Pioneering portrait of this legendarily elusive artist. Now in a welcome reprint, it's a real treat to read this still-classic Bobography."-Q***** Five Stars!
"A classic!"-Paul Williams, author of Bob Dylan: Performing Artist
"Pioneers are often written out of history but never let it be forgotten that Scaduto was the man. It's scandalous that this book has been out of print for so many years. Its return should be greeted with dancing in the street."-Jimmy Rogan, from the foreword
"The author's triumph was that ultimately he persuaded Dylan to talk."-Liz Thompson, editor of the Dylan Companion
"I read it. Some of it is pretty straight, some of it exactly the way it happened… I rather enjoyed it."-Bob Dylan
- Sales Rank: #1906309 in Books
- Published on: 2001-11-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .98" h x 5.10" w x 7.76" l, .75 pounds
- Binding: Paperback
- 350 pages
About the Author
Anthony Scaduto is a professional writer and journalist, and a former feature writer for the New York Post who specialized in organized crime stories. His other books include biographies of Mick Jagger and Frank Sinatra.
Most helpful customer reviews
6 of 6 people found the following review helpful.
An Indispensible Contribution
By Geoffrey H. Chambers
Anthony Scaduto's 1971 biography offers what the title promises: an intimate look at the early career of Bob Dylan. Written at the end of his first decade as a songwriter and recording artist, the book relates Dylan's life from the beginnings in Minnesota and formative years in Greenwich Village through the reclusive period that followed his ascension to fame in the mid-1960s.
The story may be familiar enough now, but Scaduto was the very first to piece it together. Not only was he able to talk with virtually everyone who knew Dylan back then - Rambling Jack Elliott, Dave Van Ronk, Eric von Schmidt, Carolyn Hester, John Hammond (both the producer and his son), Phil Ochs, Eric Andersen, Suze and Carla Rottolo, and Joan Baez - he also tracked down Dylan's friends from his hometown of Hibbing and the scene in Minneapolis's Dinkytown, where Dylan made his debut as a folksinger. Scaduto had something no biographer has since enjoyed: the chance to interview Dylan, who even provided feedback on the manuscript.
Besides being first, Scatudo was thorough. In fact, his book served as the informational template for the many biographies that would follow. Little of any great significance is missing, even when compared with what are widely considered the most complete accounts of Dylan's emergence as a cultural phenomenon, among them, Robert Shelton's No Direction Home, Howard Sounes's Down the Highway and Clinton Heylin's Behind the Shades. Of course, these later works benefit considerably from the decades of subsequent research and analysis. In addition to bringing the story up to date, they offer insights from figures who have since shed new light on the period, most notably, Dylan himself.
Surprisingly, the correctives are relatively minor, unless you care that Robert Zimmerman officially became Robert Dylan on August 2, 1962, and not a week later or that he began his cross-country road trip from Woodstock to New Orleans to Los Angeles on February 3, 1964, and not the day before. Scaduto was also unable to pin down the date of Dylan's arrival in the Village in 1961, which he gives only as "late January." Just the same, he does nail the details on an event many still mistakenly report as having taken place at New Jersey's Greystone Hospital: Dylan's first encounter with the dying Woody Guthrie. The meeting, on January 29, 1961, took place at an apartment in East Orange, where Guthrie spent weekends away from the hospital to be with close friends such as Pete Seeger, Cisco Houston and Rambling Jack. As Dylan's charm and good fortune would have it, he penetrated this hallowed circle within days of arriving in New York City. The exact number - three days - doesn't matter as much.
An issue that does matter is Scaduto's writing, which tends to be perfunctory, a straight reporting of events. Nothing here matches the depth or style of authors like Rolling Stone's Griel Marcus, the Bob Dylan Encyclopedia's Michael Gray or bobdylan.com historian Sean Wilentz. Scaduto nonetheless is an able enough guide, especially in regards to the generous quotations he shares from his interviews, thereby allowing Dylan's intimates to speak at length. Their recollections are not only fresh but as yet unaffected by the legend of the self-schooled troubadour who transformed folk music, then did the same for rock 'n roll. Read the recent, more complete biographies, for sure, but don't overlook Scaduto's indispensible contribution. It's the foundation for the canon that is proving to be, like Dylan's touring, never ending.
0 of 0 people found the following review helpful.
His representative on earth
By technoguy
This biography of Dylan's early most formative years still seems fresh 38 years later.I read it first in the 70s and it struck me then as the best early strike at getting Dylan right.It delves into his early Hibbing background, showing us a believable flesh and blood figure,sifting myth-making from truth.We get the chubby-faced schoolboy,the solitary adolescent,the compulsive fantasist,the rock'n'roller,poet,shaman,media manipulator and inscrutable, protean personality.Scaduto impresses with the depth of his research involving hundreds of hours of conversation with Dylan's lovers,intimate friends and embittered rivals.The man's mystery remains intact.His use of extended quotes to embellish the narrative is particularly good in the evocation of life in Greenwich Village,the poverty he suffered,how much he depended on friends and learned from Woody Guthrie,Dave Van Ronk,Joan Baez but rapidly moved beyond them and others.
How open and refreshing it is to hear his first thoughts about why he wrote the songs and moved from folk protest to rock and country after the Beatles influenced him as the future.This is unacademic scholarship by an enthusiastic fan with great exhilaration.The review of John Wesley Harding and discussion of Dylan's biblical imagery is particularly impressive,considering the time it was written.This book is written by no high-brow musicologist but a former crime reporter and "Mafia expert".You'll be impressed by the writer's street cred and dogged persistence.To quote Scaduto:"Again and again,Dylan stressed who and what he is,described what he was thinking and feeling during various crises in his life as a superstar who would rather have been a poet".Ifyou read this in conjunction with Chronicles I you'll get the best picture counterchecking his own account against Scaduto's superb tome.
0 of 0 people found the following review helpful.
Bob Dylan
By Wake the oblivious
Bob Dylan, by Anthony Scudato began as an unapproved biography and after reading the unauthorized manuscript of his unauthorized biography, Bob Dylan met with Scudato and authorized it. Dylan's lyrics are so complex, they make college Calculus simple by comparison. After having overcome a severe deficiency in mathematical proficiency, I ran into the provocative questions asked by a singer who claimed he did not have the answers. Dylan is very well read, his lyrics demonstrate that fact. No where mentions Dylan having read Plato's works or Socrates's famous dialogues, yet he uses the identical approach to logic which Socrates's grew famous for. Question the man who claims to know much, while claiming to know little, always emerging the wiser of the two, for at least admitting he did not know. When he discovered the Truth Dylan lost a part of his audience, those who did not care to hear the simple Truth. Scudato wrote a masterpiece, Dylan is a masterpiece and this book is a literary treasure.
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